Exploring The Poets Perception Of Madness

The poet’s exploration of “collective madness” delves into the profound concept of how societal pressures and the fear of humiliation drive people to obsessively pursue wealth. This deep-seated anxiety surrounding social acceptance and status leads individuals to develop an insatiable desire for money. Consequently, the poet aptly characterizes this relentless pursuit of wealth as “money madness,” which is emblematic of our broader society’s shared obsession with financial success and security. This concept prompts us to reflect on the pervasive nature of this phenomenon, as it impacts individuals across diverse backgrounds and cultures. (Note: The date “30th Sep 2020” seems unrelated to the passage and is excluded in the revision.)

In Emily Dickinson’s poem “Much Madness is divinest Sense,” she explores the intriguing idea that what society often labels as madness might, in reality, be a profound form of sanity. Furthermore, she suggests that conversely, the conventional norms and behaviors that society deems as “normal” can sometimes be utterly irrational. This thought-provoking poem challenges us to question the boundaries between sanity and insanity, encouraging us to reevaluate our perceptions of both. In essence, Dickinson invites readers to reconsider the nuanced complexity of human behavior and the arbitrary nature of societal judgment.

In DH Lawrence’s perspective, the “madness of mankind” revolves around a fundamental shift in how we perceive and prioritize money. Lawrence vehemently calls for a transformative shift in our collective mindset concerning wealth. He opens with a strong expression of his frustration, labeling humanity’s attitude towards money as nothing short of a “collective madness.” In his eyes, each individual is afflicted by this obsession with wealth, leading him to characterize our relationship with money as nothing less than insanity. This profound commentary underscores the urgency of reevaluating our values and priorities in the modern world. (Note: The provided date, “8th March, 2019,” does not seem to be directly relevant to this passage, so it has been omitted.)